Davis befriends the colorful, hairy dudes, shaves them down and primps them up (at her Curl Up and Dye salon) and, with buddy Brown, takes them out on the town. Valley manicurist Davis is fuming over fiance' Charles Rocket's prenuptial transgressions when celestial wayfarers Goldblum, Damon Wayans and Jim Carrey belly-flop their space vessel into her pool. This aliens' lost weekend spends itself sometime Saturday morning, but the party goes on till Monday. But "Girls" lacks satirical staying power. The movie is awash in glitzy colors, lively (but only conventionally amusing) musical numbers (composed mostly by Brown, Coffey and Nile Rogers) and other eye-filling sensations staged poolside, beachside and nightclubside by cinematographer Oliver Stapleton, production designer Dennis Gassner and others. That "Earth Girls" develops into an alien-earthling love story (between ectomorphs-of-Ī-feather Jeff Goldblum and Geena Davis) seems largely an easy convolution - scripted by performer and MTV being Julie Brown with collaborators Charles Coffey and Terrence McNally - to stop the conveyor belt. This is La-La Land, a consumption-crazy Pompeii in which Temple, the alien (he's British) who directed the flashy "Absolute Beginners" and the wired "Rigoletto" sequence in "Aria," loves to revel. "Girls" entertains the eye with its unending, conveyor-belt parade of consumer goods, garish outfits and expressionistic movie sets. But after Temple's visually inventive but ultimately eMpTy-V adventure, they wisely phone home. In Julien Temple's "Earth Girls Are Easy," three fuzzy aliens crash-land in L.A.
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